Please join us on October 15 from 12-1:30pm for an Authors Meet Critics panel on the book Engendering Blackness: Slavery and the Ontology of Sexual Violence, by Patrice Douglass, Assistant Professor of Gender and Women’s Studies at UC Berkeley.
Professor Douglass will be joined in conversation by Salar Mameni, Associate Professor of Ethnic Studies at UC Berkeley and Henry Washington, Jr., Assistant Professor of African American Studies at UC Berkeley. Courtney Desiree Morris, Associate Professor of Gender and Womens Studies at UC Berkeley, will moderate.
The Social Science Matrix Authors Meet Critics book series features lively discussions about recently published books authored by social scientists at UC Berkeley. For each event, the author discusses the key arguments of their book with fellow scholars. These events are free and open to the public. This event is co-sponsored by the Center for Race and Gender, the Department of Gender and Women’s Studies, and the Department of Ethnic Studies.
About the Book
In this incisive new book, Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history.
Panelists

Patrice D. Douglass (author) is an Assistant Professor of Gender and Women’s Studies at UC Berkeley. Her first book, Engendering Blackness: Slavery and The Ontology of Sexual Violence (Stanford University Press, 2025) examines the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Her current book project, Race and Abortion Ethics: Antiblackness and the Opacity of Liberty interrogates the (im)permissibility of abortion in US law and politics. Specifically this project critically examines how situating abortion as an ethic is sutured by the vexed relationship between philosophical and juridical notions of liberty and property. By attending to social and legal histories, U.S. geographies, the rhetorical strategies of abortion concerns, Race and Abortion Ethics illumines how racial Blackness subtends the conceptual framework of reproductive rights and anxieties about their inevitable usurpation. Her research of Blackness, gender, afro-pessimism, reproductive justice, and Black philosophies appear in or forthcoming from Discourse: Journal for Theoretical Studies of Media and Culture, Political Theology, Journal of Legal Anthropology, Yale Journal of Law & Feminism, PRISM: Theory and Modern Chinese Literature, Souls, Journal of Visual Culture, Theory and Event, Zeitschrift für Anglistik und Amerikanistik: A Quarterly of Language, Literature and Culture (ZAA), and The Black Scholar.

Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni is the author of Terracene: A Crude Aesthetics (Duke, 2023), which considers the emergence of the Anthropocene as a new geological era in relation to the concurrent declaration of the War on Terror in the early 2000s. Playing on the words “terror” and “terra,” Mameni proposes the term “Terracene” in order to think of the planetary in conjunction with ongoing militarization of transnational regions under terror. The book engages contemporary art and aesthetic productions, paying particular attention to artists navigating the geopolitics of petrocultures and climate change. Mameni has published articles in Qui Parle, Catalyst, Signs, Women & Performance, Al-Raida Journal, Fuse Magazine, Fillip Review, and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.

Henry Washington, Jr. is an Assistant Professor of African American Studies at UC Berkeley. His research broadly explores how dominant constructions of cultural difference help justify the persistence of inequality in the era of inclusion, as well as how minoritarian cultural forms attempt to contest these constructions and produce more complex truths about Humanness. He is at work on his first book project, Looking to Be Included: Social Science, Black Imagination, and the Culture of the Criminal, 1896-, which elucidates the shifts in the nature of power and in the forms of black cultural production effected by the postbellum emergence of “the criminal” as an alleged exemplar of race and gender alterity. His writing appears or is forthcoming in the peer-reviewed journals Women & Performance and Camera Obscura; the edited keyword collection Think from Black: A Lexicon; and the exhibition catalog for the Berkeley Art Museum and Pacific Film Archive’s New Time: Art & Feminisms in the 21st Century.

Courtney Desiree Morris(moderator) is a visual/conceptual artist and an associate professor of Gender and Women’s Studies at UC Berkeley. She teaches courses on critical race theory, feminist theory, black social movements in the Americas, women’s social movements in Latin America and the Caribbean, as well as race and environmental politics in the African Diaspora. She is a social anthropologist and is currently completing a book entitled To Defend this Sunrise: Black Women’s Activism and the Geography of Race in Nicaragua, which examines how black women activists have resisted historical and contemporary patterns of racialized state violence, economic exclusion, territorial dispossession, and political repression from the 19th century to the present. She is currently developing a new project on the racial politics of energy production and dispossession in the US Gulf South and South Africa. Her work has been published in American Anthropologist, the Bulletin of Latin American Research, the Journal of Women, Gender, and Families of Color, make/shift: feminisms in motion, and Asterix.
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