In this talk, Dr. micha cárdenas, Associate Professor of Performance, Play and Design, and Associate Professor of Critical Race and Ethnic Studies at UC Santa Cruz, will discuss her new book Poetic Operations (Duke 2022), as well as her augmented reality artwork about climate justice and her forthcoming book After Man: Fires, Oceans and Androids.
In Poetic Operations, cárdenas considers contemporary digital media, artwork, and poetry in order to articulate trans of color strategies for safety and survival. Drawing on decolonial theory, women of color feminism, media theory, and queer of color critique, cárdenas develops a method she calls algorithmic analysis.
In her forthcoming book After Man, cárdenas confronts the dual crises of climate change and COVID-19 which have prompted speculation on the end of humanity. Following on the thinking of Sylvia Wynter, cárdenas considers the end of humanism not from the privileged place of posthumanism but from a decolonial viewpoint that many of us never had the privilege to be considered human. She dwells in what comes after man, in contemporary art, science fiction and international art biennials.
This talk is co-sponsored by Social Science Matrix, the UC Berkeley Department of Ethnic Studies, the Center for Race and Gender, and the Center for the Study of Sexual Culture. The event is organized and moderated by Professor Salar Mameni, a Matrix Faculty Fellow.
About the Speaker
micha cárdenas, PhD, is Associate Professor of Performance, Play and Design, and Associate Professor of Critical Race and Ethnic Studies, at the University of California, Santa Cruz, where she directs the Critical Realities Studio. Her book Poetic Operations, Duke University Press (2022), proposes algorithmic analysis to develop a trans of color poetics. Poetic Operations won the Gloria Anzaldúa Book Prize in 2022 from the National Women’s Studies Association. cárdenas’s co-authored books The Transreal: Political Aesthetics of Crossing Realities (2012) and Trans Desire / Affective Cyborgs (2010) were published by Atropos Press. She is co-editor of the book series Queer/Trans/Digital at NYU Press, with Amanda Philips and Bo Ruberg. She is a first generation Colombian American.
Her solo and collaborative artworks have been presented in museums, galleries and biennials including the Thessaloniki Biennial in Greece, Arnolfini Gallery, De La Warr Pavilion in London, Museum of Modern Art in New York, Los Angeles Contemporary Exhibitions, the Centro Cultural del Bosque in Mexico City, the Centro Cultural de Tijuana, the Zero1 Biennial and the California Biennial. cárdenas is a member of the artist collective Electronic Disturbance Theater 2.0.
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